JOURNAL EXCERPT: April 26, Wed. 1978

"T-- M-- was a new man on the dock who worked for about 3 or 4 days and then didn't show up after that. Just disappeared. He didn't have a phone. This was about 3 weeks ago. I forgot about him after that. Last night a large, husky man with a pot belly and a baseball cap on his head, drove up to the AJ [Avalanche Journal newspaper] in a wrecker. He was looking for T-- M--. He said T-- had written him a hot check. He also said T-- was on parole. He also said he had checked T--'s last 4 places of employment. All different social security numbers and all different addresses. T-- is on the run, I imagine. T-- had me totally fooled. I thought he was just a high school graduate who had been bumming around for 4 or 5 years, doing odd jobs. I must admit, I didn't entirely trust him. I'm getting to where I don't trust anyone anymore."

MANHOOD REDO: There's an exercise we do at Men Can Stop Rape called "Real Man" where we present a series of two popular male figures, like Batman and The Rock or Toby Keith and 50 Cent, then ask who the real man is. We come up with a long list of characteristics - rich, influential, powerful, violent, cut, and so on - associated with traditional masculinity and in the debrief talk about the performance aspects of manhood. With someone like T--, it's hard to believe that there's anything beyond the performance, although his actions might be more typically viewed as "real man gone bad." You could say there are the socially sanctioned performances of masculinity - "real men" as fiercely competitive, wealthy, and powerful. These men become idols of manhood. And then there are men like T--, who represent the "real man" outside the law, someone who refuses to follow the rules, a kind of outlaw renegade. I suppose someone like 50 Cent could be associated with this, but he becomes more sanctioned when he is transformed into an popular icon, subsumed within a consumerist industry and society.

I've done plenty of performing myself over the years. I'm sure I still do some now. And there's undoubtedly evidence of performing masculinity throughout the journal, even though it's supposedly a space to bare your inner most feelings. I'm thinking of some of my snide comments related to the women R-- and T-- were involved with (I think I left these passages out of any of the blog entries because the comments seemed disrespectful). Part of the performance is to always be one up, put yourself in a better position than the men you're around. I wasn't seeing anyone, and on top of that, I was insecure about my short term and long term prospects in the relationship department. When I write about the women R-- and T-- are seeing, I sound like I know everything there is to know about relationships. Even though I didn't know crap, the performance made me feel better, made me at least a little more secure in my masculinity. That and performances like it helped me to feel I could pass as a "real man."